works

co(r)pinhas

(2019) Galeria Mama Cadela, Belo Horizonte (BR)

two plastic cups of coffee, a metal bowl, magnets, bicycle light, little fan, stones, electric piezo, amplified sound. 

the residual plastic that inhabits the banality of the days here rises to the raw material, making dance over our senses, the primacy of disposal.

they dance randomly, but under borderline circumstances: the circularity of magnets, stones and the kitchen bowl are key symbols of a small island.

this island is our own imagination and is also the way that time is understood in non-hegemonic cultures. 

it is necessary to dig to find the sounds that are there in the friction between plastic and metal. they can transport us to many landscapes.

sound/visual arts

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